![]() Once analyzed, click the individual captions to modify them in the inspector. ![]() To activate, simply click ‘create subtitles from audio’ in the timeline menu. The auto subtitle feature on the Cut and Edit pages transcribes speech to text automatically into a subtitle track on the timeline. Editors can now creatively focus visual attention on the scene using audio to add interest, drama and even tension to dialogue scenes on the Cut page. Simply drag the lower part of a clip to separately adjust the audio track, allowing the dialogue to be heard before or continue after the video clip is seen. Split A/V allows the edit point for video or audio to be adjusted separately. Customers can hold the option key to disable ripple for that edit only. Previously edits were always rippled, now by disabling the ripple button the duration of the edit will be preserved so customers can create gaps in the timeline. The Cut page has a new ripple button which enables and disables rippled edits. Customers can modify or remove trim points as needed. Selected clips will be analyzed for content and cut points automatically placed on every new edit in the rendered clip. Simply navigate to the timeline menu and click ‘detect scene cuts’. Scene cut detection is also now possible directly on the Cut timeline. Use the timeline options, timeline actions and edit actions to toggle ripple editing, trim edit points to the playhead, resync audio, and change the appearance of the timeline and more. The addition of three new menus to the Cut page timeline allows for quicker and more flexible editing. The Color page viewer now supports marker overlays and annotations for timeline and clip markers. Light sources can be directional to cast a broad light, a point source, or a spotlight and be adjusted for surface softness and specularity control. The new Relight FX lets customers add virtual light sources into a scene to creatively adjust environmental lighting, fill dark shadows or change the mood. This allows the setting of independent timeline and output color spaces per timeline for projects with mixed media. Any existing custom timelines are automatically initialized to color management settings from the project. On the color page, DaVinci Resolve color management can now be configured on a timeline level. Comments will appear as markers on their DaVinci Resolve timeline, allowing customers to act on feedback quickly. With Presentations, multiple people can review their timeline, leave comments and even share a live chat. ![]() Customers can also now export their timeline to the Blackmagic Cloud using the new Presentations feature which is in public beta for customers with project libraries. Customers can stream to multiple computers, iPads or even iPhones all at the same time. Just enable remote monitoring in DaVinci Resolve and share their code, without having to deal with IP addresses and port forwarding. ![]() VFX artists can collaborate more easily with support for USD files and work faster with the multi-merge tool.Ĭustomers can now initiate remote monitoring using just a Blackmagic ID and a session code. Colorists can use the new Relight FX to add virtual lighting to a scene. DaVinci Neural Engine AI can analyze and automatically sort audio clips based on classification, and on the Fairlight page audio tracks can now be grouped for faster mix automation and editing. Editors can now transcribe audio within clips to search for media based on narrative content, or quickly generate subtitles for timelines with the automatic speech to text feature. (Photo: Business Wire)ĭaVinci Resolve 18.5 will be demonstrated on the Blackmagic Design NAB 2023 booth #N2601.ĭaVinci Resolve 18.5 introduces dozens of new tools including 4 new AI tools, over 150 feature upgrades, and major updates to the Cut page. Major update adds new AI based tools, new Resolve FX, text based editing, speech to text and audio classification, new Cut page menus and Fusion USD support for faster workflows. ![]()
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